Remaking Bongbong Marcos

(REP. Bongbong Marcos, center, enjoys a walk on the beach near the Bangui windfarm with his family, from left: Joseph Simon, Mrs. Louise Araneta Marcos, Ferdinand Alexander and William Vincent. Photo courtesy PRISM)

When the Marcoses got booted out of power in 1986 after their 20-year hold on the Philippines, one of the very first videotaped images of the family we were treated to was of Bongbong, his siblings and friends dressed up in funny costumes, with champagne glasses in hand, singing “We are the World,” aboard the presidential yacht. In another, we watch the President and his wife boogeying aboard the same yacht.

It was with this frame of mind that I attended the lunch with Bongbong Marcos. But wait! Is it even the real Bongbong Marcos? After all, the Marcoses’ only son was said to have died in London and replaced by a nephew who looks exactly like him. Hmmm.... (Click Something Like Life for the rest.)

(Erratum: Liza Araneta-Marcos is not an only child. She has three other sisters and a brother. My apologies to the Araneta and Marcos families for this error.)

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Other points raised during our lunch:

• Yes, Rep. Bongbong Marcos is thinking of running for president someday. “I’m in this career, so of course, I would like to take it as far as I can. You always want to be better, more successful in your career. But I don’t wake up each morning, planning on what I should do today to become president.”

• He is considering to run as senator in 2010: “After 19 years as governor, vice-governor, and representative of Ilocos Norte, I believe I am now more than ready to serve on the national stage.”

(Official photo courtesy PRISM)

• He's still undecided what national party to join, and why it probably won't be the Liberal Party, the original party of his father, the late President Ferdinand E. Marcos: “In the LP, I keep telling Mar (Roxas), he’s my only friend there. The other members continue to oppose my family.”

• As senator, his advocacies will be: “To bring us back to the basics ¬– greater public investment in infrastructure, health services, education, peace and order, political stability and implementing an understandable system of government.”

• Why he supports wasn't vocal in his opposition versus Charter Change: "There's just a sense of futility. You know nothing will happen anyway....I support Charter Change in principle but it should be done after the [2010] election. The fear is the process will be used to extend their (GMA and his fellow congressmen) term. But it (Con-Ass) will not succeed, because there’s no time. But that doesn’t mean they won’t try.”

• On why GMA won't be able to declare Martial Law: "She doesn't have the support of the military like my father did. When my father declared martial law, he had just been re-elected, he was popular and he had control of the military."

• On a popular uprising vs Cha-Cha: "There's no such thing as a popular uprising. Even if you look at the French Revolution, the Russian Revolution, these were led by an elite few, academics.... [The Edsa people power in 1986] was done by the Americans."

• He hasn't decided whom to support for president in 2010: "I consider all of them good friends and political allies."

Beatles in Manila...arayko

When they awoke on July 5, they discovered the Filipino media had made the group public enemies No 1, 2, 3 and 4 for “snubbing” Imelda Marcos. Getting out became the priority. 'At the airport we were all jostled, shoved, pushed, and it was ‘Carry your own bags – there’s no porters for you! ’ It upset the Beatles a great deal,” recalls Whitaker. “When we were on the plane waiting to take off, there was complete silence in the first-class cabin. We didn’t know whether we were all going to be dragged off and slung into prison. When the engines started up and we were finally in the air, there was such elation among all of us to get out of that f***-hole.” (Click Sunday Times of London for the rest.)

When Love Begins: a comedy of clichés

SO I got suckered into watching When Love Begins by Ms. RP. I had just come from a high watching Iron Man so you can imagine the dread I must have felt. (Ok, the reason she wanted to watch it because our gang is going to Boracay next weekend and there were scenes in the movie that had the island as its setting. I wondered why my friends and I were not in the movie, not even as extras, after the many times we've been to Boracay. But there were a few sightings of Brian Gorrell, I thought, though not w/ DJ Montano hehe.)

First of all, Aga Muhlach has never been my favorite local actor. He talks with a lisp and has that trademark puppy dog eyes staring into nothingness. Second, except for veteran actors Ronaldo Valdez, Boots Anson Roa, and Christopher de Leon, I didn't know any of the other artistas in this film. (To their credit, Valdez and Anson Roa were the only ones who manage to pull off their roles credibly, as parents of Aga's character, inspite of the inspid dialogue handed to them. De Leon was, as usual, at his OA best. Ick.)

You can say I'm not much of a fan of local cinema. I've been disappointed many times over watching the films that all movie reviewers say are good (of course, most of them are actually paid hacks of the producers), but actually are not. The last time I really enjoyed local films was during the time of the Experimental Cinema of the Philippines (take a bow Imee Marcos) and you had masterpieces created by Lino Brocka, Ishmael Bernal, Peque Gallaga, Laurice Guillen, Mike de Leon, Marilou Diaz Abaya, etc. I was studying for my CommArts degree then and had to watch all these films. But I enjoyed them, despite the requirement. To this day, the films produced during the ECP heyday are considered classics, mahirap pantayan. All the ingredients of a good movie were there: original screenplays with intelligent dialogue, powerful and inspired acting and directing...all the films of these directors were just creative and well-thought out.

These days, everyone panders to commercialism. I cannot imagine how Joey Reyes, esteemed DLSU professor and respectable scriptwriter/director could write such lines in When Love Begins such as: "It's better if we don't have any expectations" (Anne Curtis' character Michelle referring to her budding relationship with Aga's character Ben); "If you take me for what I am, you must also take for what I'm not!" (award!); and have scenes were Aga's character observes Anne Curtis' character sleeping. Anova! Gasgas na yan! This film was peppered w/ so many clichés in dialogue and scenery, Ms. RP and I (along with other filmgoers beside us) could not help but burst out in laughter, every 15 minutes.

As is the case in many of commercial Pinoy films today, even the characterizations were off. How could Aga's character call himself a vegetarian when he's so fat?! (Yes folks, the rumors are untrue. Aga's body is far from buffed.) And as a supposedly experienced environmentalist, how could he not know that the father of Anne's character (played by de Leon) was behind the subdivision development that Aga's character was going to file a case against? I know a lot of vegetarians and they're not fat! I know environmentalists and they do their homework well before filing cases vs companies w/c violate environmental laws.

In the film, we learn at the end that Anson Roa's character dies of cancer. But for some strange reaason, there was no mention whatsoever of what happened to De Leon's character, father of Aga's love interest, after father and daughter went to the States!

Did I have high hopes that this movie was going to be a great movie, the best produced by Philippine cinema by far? Certainly not. So why am I ranting? Because it was a waste of time and money. Sure it gave us some comic relief because of the bad acting and stupid dialogue, but it really makes me feel sad how Philippine movies, once ranked the best in Asia, and a few times in the world, have degenerated to pathetic, unthinking, idiotic productions with no redeeming values whatsoever.

This is why I only watch Ruffa Mae Quinto or Ai-Ai delas Alas movies. At least you know what you're in for – a stupid comedy – so you still get your money's worth. When Love Begins was meant to be a drama. But we left the movie theater, laughing hysterically.